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The encyclopedia · Advertising & PR · Marketing decision · 2019

Nissin drew Naomi Osaka with lighter skin in a manga ad — and was accused of whitewashing

A Cup Noodle manga ad by Nissin showed the mixed-race tennis star with paler skin. Accused of whitewashing, Nissin apologised and pulled it.

Nissin Foods · 2019-01

What happened

In January 2019, Nissin Foods, the maker of Cup Noodle, released a manga-style advertisement featuring two of Japan's tennis stars, Naomi Osaka and Kei Nishikori, drawn by the creator of a famous tennis comic. Osaka, who is mixed-race, was depicted with noticeably paler skin and more European features than she has in real life. Viewers accused the company of 'whitewashing' her.

The criticism spread quickly online, with one user asking the artist why the drawing 'changed the skin colour to something that deviates from the real person so much.' The complaint struck a nerve because Osaka's mixed Japanese and Haitian heritage was central to her public story; lightening her skin read as an erasure of exactly what made her distinctive. She was, at the time, the reigning US Open champion and one of the most visible athletes in Japan.

Nissin apologised. 'There is no intention of whitewashing,' a spokesperson said, but the company accepted that it 'was not sensitive enough' and promised to 'pay more attention to diversity issues in the future.' The ad was withdrawn. Osaka herself was measured about the episode; the larger reaction was online, where the drawing became a shorthand for how global brands still default to lighter skin when they stylise non-white faces.

Why it happened

  • The manga style applied a default of lighter skin without checking it against the real person, treating her complexion as an artistic choice rather than part of her identity.
  • Osaka's mixed heritage was the heart of her story, so changing it was read not as flattery but as erasure.
  • A sponsor's promotional art carries more weight than fan art; when a brand redraws an athlete, the public reads it as the brand's official view of her.
What it costad withdrawn; public apology; diversity pledgeembarrassing

The lesson

When you stylise a real person, their features are not an art direction. Lightening someone's skin to look aspirational flatters no one — the people you mean to honour read it as erasure first.

Aftermath

Nissin said it had no intention of whitewashing and framed the error as a lack of sensitivity it would correct. The case was cited in a wider conversation about representation in Japanese advertising and manga, where stylised characters often have ambiguous features. For global brands, it became a small but pointed example: when the person you are drawing is famous for who she is, changing her face changes the message, whatever your intention.

Sources

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